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Appia Kwa Bridge

by Ebo Taylor

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  • Compact Disc (CD) + Digital Album

    1. AYESAMA
    2. ABONSAM
    3. NSU NA KWAN
    4. YAA AMPONSAH
    5. ASSOMDWEE
    6. KRUMAN DEY
    7. APPIA KWA BRIDGE
    8. BARRIMA

    Includes unlimited streaming of Appia Kwa Bridge via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €8 EUR

     

1.
Ayesama 07:04
2.
Abonsam 05:30
3.
Nsu Na Kwan 04:47
4.
Yaa Amponsah 04:27
5.
Assomdwee 05:55
6.
Kruman Dey 04:39
7.
8.
Barrima 03:24

about

“I wanted to go back to a highlife feeling with this album,” explains Ebo Taylor. “The songs are very personal and it is an important part of my music to keep alive many traditional Fante songs, war chants and children’s rhymes.”

‘Appia Kwa Bridge’ is a strident return from the Ghanaian highlife guitar legend. Featuring six new compositions, his sound is more dense and tightly locked than ever with Berlin-based musicians Afrobeat Academy, a rock solid unit since regular touring worldwide following his ‘Love And Death’ album in 2010, including a string of dates for WOMAD. Jochen Stroh works his analogue magic once more from his base at Berlin’s Lovelite Studios.

The album covers a variety of themes dear to Taylor. The title track references a small bridge in Ebo’s hometown of Saltpond on the Cape Coast: “it is a tiny bridge but a place known in the town where people meet, where lovers get together.” The firing, rousing ‘Ayesama’, first demo-ed during the ‘Love And Death’ sessions, is a Fante war cry, a taunt – “what’s your mother’s name?”; ‘Nsu Na Kwan’, based on a Fante proverb, asks “Which is older – the river or the old road” with the sub-text to respect your elders and the brilliant ‘Abonsam’ carries the message that Abonsam (The Devil) is responsible for evil in the world and that we should follow the Christian message.

Elsewhere, the album features a new version of highlife anthem, ‘Yaa Amponsah’, first recorded during the ‘20s by Jacob Sam’s Sam’s Trio before becoming a popular standard in Ghana, and a cover of an original track from Taylor’s time with Apagya Show Band during the ’70s, ‘Serwa Brakatu’, re-titled here as ‘Kruman Dey’. The closer, the acoustic ‘Barrima’, is a poignant tribute to Taylor’s first wife and one true love who sadly passed away during Summer 2011. “Ebo wrote the song following her passing and recorded this in one take during our last day in the studio,” reflects bandleader Ben Abarbanel-Wolff. “He was very emotional.”

The album features a number of special guests within the credits including incomparable drummer Tony Allen, original Africa 70 guitarist Oghene Kologbo and conga maestro Addo Nettey a.k.a. Pax Nicholas. Representing the younger players, keyboard genius Kwame Yeboah, son of Ghanaian legend S.K. Yeboah, makes full use of Lovelite’s famed collection of Farfisa and Wurlitzer organs.

credits

released January 1, 2012

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Ebo Taylor Ghana

Ghanaian guitarist Ebo Taylor emerged from 1950s highlife big bands Broadway Dance Band and Stargazers before a prolific solo career fusing highlife with soul, funk and jazz. His bands the Blue Monks, Sweet Beans and Pelicans established him as one of Ghana’s top players. ... more

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