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Ebo Taylor

by Ebo Taylor

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      £5.99 GBP  or more

     

  • Record/Vinyl + Digital Album

    Official Mr Bongo reissue.

    1. Saana / 2. Ntsir A / 3. Bra / 4. Ohye Atar Gyan / 5. Heaven / 6. Amponsah

    Originally released in 1977, Ebo Taylorʼs self-titled album is a rarity that truly exposes the genius of the Ghanaian producer and arranger. Having spent most of the 1970s involved in Ghanaʼs afro-funk output, working with different bands and musicians alike, Taylor put forward his own unique blend of Ghanaian highlife and afro-beat with this self-titled release.

    The six songs that make up the album exemplify Taylorʼs desire to experiment and move beyond the constraints of colonial influences on Highlife and African musical traditions. Saana combines highlife guitars and jazz horns with a funked up rhythm and the sweetest chants, a vibe carried over on Ntsir A with its funky horns and Ghanaian singing. Throughout the album Taylor injects elements of funk, jazz and afrobeat into his compositions without being obvious, instead channelling the experimentation he once referred to as ʻa way to develop our African music to enable us to get global attention.ʼ Heaven is perhaps the albumʼs highlight and widely recognised as one of the finest examples of Ghanaian afrobeat from the late 70s. Its popularity has endured through the decades and the song even found a new lease of life after Usher sampled it.

    This vinyl LP features fully reproduced original artwork. Pressed on heavyweight vinyl. CD in a digipack format with Obi.

    Includes unlimited streaming of Ebo Taylor via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 2 days

      £18.99 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    Official Mr Bongo reissue.

    1. Saana / 2. Ntsir A / 3. Bra / 4. Ohye Atar Gyan / 5. Heaven / 6. Amponsah

    Originally released in 1977, Ebo Taylorʼs self-titled album is a rarity that truly exposes the genius of the Ghanaian producer and arranger. Having spent most of the 1970s involved in Ghanaʼs afro-funk output, working with different bands and musicians alike, Taylor put forward his own unique blend of Ghanaian highlife and afro-beat with this self-titled release.

    The six songs that make up the album exemplify Taylorʼs desire to experiment and move beyond the constraints of colonial influences on Highlife and African musical traditions. Saana combines highlife guitars and jazz horns with a funked up rhythm and the sweetest chants, a vibe carried over on Ntsir A with its funky horns and Ghanaian singing. Throughout the album Taylor injects elements of funk, jazz and afrobeat into his compositions without being obvious, instead channelling the experimentation he once referred to as ʻa way to develop our African music to enable us to get global attention.ʼ Heaven is perhaps the albumʼs highlight and widely recognised as one of the finest examples of Ghanaian afrobeat from the late 70s. Its popularity has endured through the decades and the song even found a new lease of life after Usher sampled it.

    This vinyl LP features fully reproduced original artwork. Pressed on heavyweight vinyl. CD in a digipack format with Obi.

    Includes unlimited streaming of Ebo Taylor via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 2 days

      £8.99 GBP or more 

     

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about

Originally released in 1977, Ebo Taylorʼs self-titled album is a rarity that truly exposes the genius of the Ghanaian producer and arranger. Having spent most of the 1970s involved in Ghanaʼs afro-funk output, working with different bands and musicians alike, Taylor put forward his own unique blend of Ghanaian highlife and afro-beat with this self-titled release.

The six songs that make up the album exemplify Taylorʼs desire to experiment and move beyond the constraints of colonial influences on Highlife and African musical traditions. Saana combines highlife guitars and jazz horns with a funked up rhythm and the sweetest chants, a vibe carried over on Ntsir A with its funky horns and Ghanaian singing. Throughout the album Taylor injects elements of funk, jazz and afrobeat into his compositions without being obvious, instead channelling the experimentation he once referred to as ʻa way to develop our African music to enable us to get global attention.ʼ Heaven is perhaps the albumʼs highlight and widely recognised as one of the finest examples of Ghanaian afrobeat from the late 70s. Its popularity has endured through the decades and the song even found a new lease of life after Usher sampled it.

credits

released January 1, 2012

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about

Ebo Taylor Ghana

Ghanaian guitarist Ebo Taylor emerged from 1950s highlife big bands Broadway Dance Band and Stargazers before a prolific solo career fusing highlife with soul, funk and jazz. His bands the Blue Monks, Sweet Beans and Pelicans established him as one of Ghana’s top players. ... more

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